狼族时代的剧情介绍,伊莎贝尔·于佩斯饰演的安娜,一家四口从城市逃难到乡下,发觉自己的村屋给人占去。争执中丈夫被杀,安娜带着子女流离失所,途中儿子还给一流浪少年扣留。后来到了一个火车站,很多人在苦候,望火车把他们带到安乐郷。安娜听说有一班宗教义士,奉献自己以拯救人类,连她儿子也甘愿受祭。人在极端环境里不见得只剩下狼性。汉尼卡的风格有份严峻之美,正为杜绝滥情,从人之不仁中发现希望。
In an undefined time, the environment has been totally destroyed and now the water is contaminated and the animals have been burned. Georges Laurent travels with her wife Anne Laurent, their teenage daughter Eva and their son Ben from the city to their cabin in the countryside. On the arrival, they find that intruders have broken in the house, and one stranger kills George. Anne, Eva and Ben wander through the village asking for shelter and supplies for their acquaintances, but they refuse to help them. They reach an abandoned barn and spend the night inside. On the next morning, they meet a teenage boy and they walk together to a train station, where they find other survivors. Together, they wait for the train expecting to go to a better place in the middle of the chaos.
悲观者的呓语。FIFF23丨DAY3圆桌《狼族时代》:残酷是有效的,温情也是有效的。哈内克的乌托邦。《狼族》:当代西方社会的一个缩影。电影世界里,观众永远是导演的受害者。--星期五::Le Temps Du Loup暴狼时刻。
Time of the Wolf
6/10。哈内克运用银幕空间制造出一层黑暗恐惧,人们在丧失家园的荒原四处飘零,镜头挡住家属上半身的葬礼戏让极简元素释放最大情感,弱女子践踏尊严为生病的宝贝讨水、过路客收了别人的手表却不留一滴水救济,无人为女主伸张杀夫之仇,男孩赤裸着寻求涅槃的燃烧时刻得救,结尾火车开动如人性自我救赎。
“趣味游戏”般的开端,经过“雾中风景”,“失明症漫游”的构建,可怕的无终止,结尾又仿佛回到城市中产视觉坐看一切平静。伯格曼的“豺狼时刻”乌曼跟冯叙多的相似叫人难忘,而这部“狼族时代”里,我实在没法摆脱阿姨的魔法,这个演员演什么都是对的!她每一次出镜,每一反应都是自然真实丰富的。
我好像更喜欢他的德国片~
没有铺垫,没有高潮,没有音乐,充满诗意
道德体系一旦崩塌,人类所面对的就只有世界末日